Description
We look upriver in this print from a turnpike road that descends towards the Hudson, eleven miles north of the Fort Miller Bridge (the work is out of order in the Portfolio, and should follow plate 7 to replicate an accurate descent of the reiver). The related text emphasizes the region's tumultuous history, noting that although, "the ploughshare now peacefully turns up the soil moistened by the blood of thousands..the memory of days of glorious enterprise remains vigorous..and the scene of their operation will be held sacred to remotest ages." The print comes from a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born William Guy Wall toured and sketched along the Hudson then painted large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School. Medium: aquatint printed in color with hand-coloring; first state of three (koke). Album: The Hudson River Portfolio.
Additional Makers: Etcher - John Hill (American (born England), London 1770–1850 Clarksville, New York); Publisher - Henry J. Megarey (American, 1818–1845 New York)
Image Licence
CC0 1.0
Image Credit
Image courtesy of the Metropolitan Museum of Arts
Location
Fort Edward, New York, USA
Country
USA
Medium
Print
Tags
Category
Landscapes & Seascapes
