Images Filters Artist Philippe Jacques de Loutherbourg Collection Collection... National Library of Australia (18) Yale Center for British Art (10) British Museum (8) Tate (7) British Library : King George III Topographical Collection (4) National Galleries of Scotland (4) Private Collection (2) Science Museum (2) The Courtauld Gallery (2) Institution of Mechanical Engineers (1) John Mitchell Fine Paintings (1) Museum of Fine Arts Boston (1) Rhode Island School of Design (1) Royal Museums Greenwich (1) Royal Pavilion & Museums, Brighton & Hove (1) State Library of New South Wales (1) Swiss National Library (1) Wellcome Library (1) Country Country... England (45) Egypt (4) Wales (3) France (2) USA (2) Germany (1) Switzerland (1) Continent Continent... Europe (56) Africa (4) Seas & Oceans (4) North America (2) Medium Medium... Watercolour (30) Print (10) Wash Drawing (4) Category Category... People & Society (32) Landscapes & Seascapes (17) Buildings & Architecture (6) Industries & Professions (6) Travel & Transport (4) Flora & Fauna (1) Date Date... 1700s (2) 1710s (2) 1720s (2) 1730s (2) 1740s (14) 1750s (23) 1760s (23) 1770s (23) 1780s (49) 1790s (36) 1800s (38) 1810s (22) 1890s (1) Philippe Jacques de Louther... 66 matching results. See slideshow Sort orderRelevanceOldest additions firstNewest additions firstOldest painted firstNewest painted first See results on a map View map Army officer (unidentified) (Study for The Battle of Alexandria or The Landing of British Troops at Aboukir) (19th century) + Add to album General Edward Finch, 1756 - 1843. Soldier (Study related to The Battle of Alexandria and The Landing of British Troops at Aboukir) + Add to album General Sir John Doyle, c 1750 - 1834. Soldier (Study related to The Battle of Alexandria and The Landing of British Troops at Aboukir) + Add to album Richard Ford William Lambart, 7th Earl of Cavan, 1763 - 1836. General (Study related to The Battle of Alexandria and The Landing of British Troops at Aboukir) + Add to album Stone: a working slate quarry, and the instruments used. + Add to album Rocky Bluff + Add to album Lime kilns (1790) + Add to album Man in uniform + Add to album Ramsgate with a view of the new lighthouse (c.1795) + Add to album Iron Works, Colebrook Dale (1805) + Add to album Cowes Castle + Add to album A Bull Charging (1794) + Add to album Smugglers + Add to album Figures by a stream with cattle watering + Add to album Omiah. A Native of the Sandwich Islands, [ca. 1785] (ca. 1785) + Add to album View from the North Shore of the Teign Estuary, with the Sea in the Distance and Part of Teignmouth (1786 or 1800) + Add to album The Mouth of the River Teign at Teignmouth, with Shipping (1786 or 1800) + Add to album An Iron Foundry, Madeley Wood, Coalbrookdale (1786 or 1800) + Add to album The Boiler House and Casting House of a Furnace, Probably Bedlam Furnace, at Coalbrookdale (1786 or 1800) + Add to album View of Woods and Hills across the Avon Gorge at Clifton (1786 or 1800) + Add to album Part of the Avon Gorge at Clifton, with a Kiln on the Cliff Edge (1786 or 1800) + Add to album Study of Rocks on Clifton Down, Bristol (1786 or 1800) + Add to album Margate, from the Parade (ca.1801) + Add to album The stern of an English two-decker c1770 + Add to album A Kamtchadale (1785) + Add to album Prophet's dress (1785 [?]) + Add to album A woman of Prince Will[ia]m Sound (1785) + Add to album Man of Prince William Sound (1785) + Add to album A Kamtchadale woman (1785) + Add to album Nootka or King G. [George's] Sound (1785) + Add to album A chief of Kamtchatka (1785) + Add to album A Tschutzki woman (1785) + Add to album A chief of the Tchutzki (1785) + Add to album A man of New Zealand (1785) + Add to album Dancer, Otahaite (1785) + Add to album Dancer (1785) + Add to album The present woman of Oteheite [i.e. Otaheite] (1785) + Add to album Toha, Chief of Otahaite, Oedidee (1785) + Add to album Chief mourner Otahaite (1785) + Add to album Otoo, King of Otahaite (1785) + Add to album Toha (1785) + Add to album Obereyau [i.e. Oberea] enchantress (1785) + Add to album Rheinfall vom rechten Ufer mit Fabriken, Schlösschen Wörth und Schloss Laufen (freie Komposition) (1797) + Add to album Untitled (Portrait study of a sailor, Robert Williams) (1740-1812) + Add to album Untitled (Portrait study of a sailor) (1797) + Add to album Untitled (Portrait study of a sailor, Thomas Ramsay) (1740-1812) + Add to album Untitled (Portrait study of a sailor, possibly Christian Promonder) (1740-1812) + Add to album Untitled (Portrait of Lieutenant General Sir William Congreve) (1740-1812) + Add to album Untitled (Studies of ships and boats for the painting of Lord Howe's Victory 1794) (c.1794) + Add to album Ramsgate, with a view of the new light-house / Picturesque Scenery of Great Britain (1801) + Add to album Brighthelmstone. Fishermen returning / Picturesque Scenery of Great Britain (1801) + Add to album Llyn Ogween (1805) + Add to album Cataract on the Llugwy (1806) + Add to album Conway Castle, North Wales 46 K (1811) + Add to album Ruin at Basingstoke (1808) + Add to album Stonebreakers by Cathedral Ruins + Add to album The Island of Portland + Add to album The Arrival of a Hoy at Margate + Add to album Three Ships + Add to album A Path on a Hilltop + Add to album 12Next Last Army officer (unidentified) (Study for The Battle of Alexandria or The Landing of British Troops at Aboukir) (19th century) National Galleries of Scotland | CC BY 4.0 General Edward Finch, 1756 - 1843. Soldier (Study related to The Battle of Alexandria and The Landing of British Troops at Aboukir) National Galleries of Scotland | CC BY 4.0 General Sir John Doyle, c 1750 - 1834. Soldier (Study related to The Battle of Alexandria and The Landing of British Troops at Aboukir) National Galleries of Scotland | CC BY 4.0 Richard Ford William Lambart, 7th Earl of Cavan, 1763 - 1836. General (Study related to The Battle of Alexandria and The Landing of British Troops at Aboukir) National Galleries of Scotland | CC BY 4.0 Stone: a working slate quarry, and the instruments used. image courtesy of Wellcome Library, London | CC BY 4.0 Rocky Bluff Courtesy of a private collector | All Rights Reserved Lime kilns (1790) Courtesy of the Science Museum | CC BY-NC-SA Man in uniform Courtesy of The Courtauld Gallery | CC BY 2.0 Ramsgate with a view of the new lighthouse (c.1795) Courtesy of The Courtauld Gallery | CC BY 2.0 Iron Works, Colebrook Dale (1805) Courtesy of the Science Museum | CC BY-NC-SA Cowes Castle image© John Mitchell Fine Paintings | All Rights Reserved A Bull Charging (1794) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Smugglers image credit Yale Center for British Art | Public Domain, Yale Center for British Art Figures by a stream with cattle watering image credit Yale Center for British Art | Public Domain, Yale Center for British Art Omiah. A Native of the Sandwich Islands, [ca. 1785] (ca. 1785) Courtesy of Mitchell Library, State Library of New South Wales | Out of copyright View from the North Shore of the Teign Estuary, with the Sea in the Distance and Part of Teignmouth (1786 or 1800) © Tate, London 2019 | CC-BY-NC-ND 3.0 (Unported) The Mouth of the River Teign at Teignmouth, with Shipping (1786 or 1800) © Tate, London 2019 | CC-BY-NC-ND 3.0 (Unported) An Iron Foundry, Madeley Wood, Coalbrookdale (1786 or 1800) © Tate, London 2019 | CC-BY-NC-ND 3.0 (Unported) The Boiler House and Casting House of a Furnace, Probably Bedlam Furnace, at Coalbrookdale (1786 or 1800) © Tate, London 2019 | CC-BY-NC-ND 3.0 (Unported) View of Woods and Hills across the Avon Gorge at Clifton (1786 or 1800) © Tate, London 2019 | CC-BY-NC-ND 3.0 (Unported) Part of the Avon Gorge at Clifton, with a Kiln on the Cliff Edge (1786 or 1800) © Tate, London 2019 | CC-BY-NC-ND 3.0 (Unported) Study of Rocks on Clifton Down, Bristol (1786 or 1800) © Tate, London 2019 | CC-BY-NC-ND 3.0 (Unported) Margate, from the Parade (ca.1801) Courtesy of the RISD Museum, Providence, RI | CC0 1.0 The stern of an English two-decker c1770 © National Maritime Museum, Greenwich, London | CC BY-NC-ND A Kamtchadale (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Prophet's dress (1785 [?]) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain A woman of Prince Will[ia]m Sound (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Man of Prince William Sound (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain A Kamtchadale woman (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Nootka or King G. [George's] Sound (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain A chief of Kamtchatka (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain A Tschutzki woman (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain A chief of the Tchutzki (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain A man of New Zealand (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Dancer, Otahaite (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Dancer (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain The present woman of Oteheite [i.e. Otaheite] (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Toha, Chief of Otahaite, Oedidee (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Chief mourner Otahaite (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Otoo, King of Otahaite (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Toha (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Obereyau [i.e. Oberea] enchantress (1785) Out of Copyright. Image courtesy of the National Library of Australia. | Public Domain Rheinfall vom rechten Ufer mit Fabriken, Schlösschen Wörth und Schloss Laufen (freie Komposition) (1797) Image courtesy Swiss National Library | Public Domain Untitled (Portrait study of a sailor, Robert Williams) (1740-1812) © Trustees of the British Museum | CC BY-NC-SA 4.0 Untitled (Portrait study of a sailor) (1797) © Trustees of the British Museum | CC BY-NC-SA 4.0 Untitled (Portrait study of a sailor, Thomas Ramsay) (1740-1812) © Trustees of the British Museum | CC BY-NC-SA 4.0 Untitled (Portrait study of a sailor, possibly Christian Promonder) (1740-1812) © Trustees of the British Museum | CC BY-NC-SA 4.0 Untitled (Portrait of Lieutenant General Sir William Congreve) (1740-1812) © Trustees of the British Museum | CC BY-NC-SA 4.0 Untitled (Studies of ships and boats for the painting of Lord Howe's Victory 1794) (c.1794) © Trustees of the British Museum | CC BY-NC-SA 4.0 Ramsgate, with a view of the new light-house / Picturesque Scenery of Great Britain (1801) image © Trustees of the British Museum | CC BY-NC-SA 4.0 Brighthelmstone. Fishermen returning / Picturesque Scenery of Great Britain (1801) image © Trustees of the British Museum | CC BY-NC-SA 4.0 Llyn Ogween (1805) Image courtesy of the British Library | Public Domain Cataract on the Llugwy (1806) Image courtesy of the British Library | Public Domain Conway Castle, North Wales 46 K (1811) Image courtesy of the British Library | Public Domain Ruin at Basingstoke (1808) Image courtesy of the British Library | Public Domain Stonebreakers by Cathedral Ruins Image courtesy of the Museum of Fine Arts Boston | Public Domain The Island of Portland image credit Yale Center for British Art | Public Domain, Yale Center for British Art The Arrival of a Hoy at Margate image credit Yale Center for British Art | Public Domain, Yale Center for British Art Three Ships image credit Yale Center for British Art | Public Domain, Yale Center for British Art A Path on a Hilltop image credit Yale Center for British Art | Public Domain, Yale Center for British Art