Images Filters Artist Artist... Henry Thomas Alken (109) Hablot Knight Browne (13) Samuel Alken, Sr. (10) William-Samuel Howitt (10) George Alken (6) James Seymour (5) Jan Wyck (5) Sawrey Gilpin (5) Unknown Artist (5) Edwin Cooper (4) Samuel Henry Alken (4) John Vanderbank (3) John Wootton (3) Edward Hull (2) John Ferneley (2) Peter Tillemans (2) Thomas Rowlandson (2) C. Blake (1) Edwin Gill (1) Francis Barlow (1) Frederick Tayler (1) George Chinnery (1) George Garrard (1) George Hayter (1) Henry William Bunbury (1) Justinian Gantz (1) Paul Sandby (1) Robert Dighton (1) Robert Polhill Bevan (1) Thomas Daniell (1) Thomas Ross (1) Thomas Sunderland (1) Thomas Weaver (1) William Hamilton (1) Collection Collection... Yale Center for British Art (207) Country Country... England (200) India (2) Scotland (2) Continent Continent... Europe (205) Asia (2) Medium Medium... Watercolour (131) Line Drawing (31) Wash Drawing (13) Category Category... People & Society (190) Travel & Transport (10) Flora & Fauna (3) Landscapes & Seascapes (3) Buildings & Architecture (1) Tag: Horse Riding Date Date... 1600-1699 (9) 1700s (10) 1710s (10) 1720s (10) 1730s (10) 1740s (15) 1750s (15) 1760s (13) 1770s (29) 1780s (30) 1790s (34) 1800s (103) 1810s (112) 1820s (110) 1830s (111) 1840s (104) 1850s (100) 1860s (22) 1870s (19) 1880s (18) 1890s (18) 1900s (1) Horse Riding 207 matching results. You may want to refine your search. See slideshow Sort orderRelevanceOldest additions firstNewest additions firstOldest painted firstNewest painted first See results on a map View map Evening (1799) + Add to album John Gilpin Then Stopp'd at His Own Door + Add to album Hunting: The Meet + Add to album Hunt Followers...Moving with the Hounds to the Left + Add to album Hunt Followers and Hounds Moving to Right Through Undergrowth + Add to album Hounds Followed by Three Riders + Add to album Foxhunting: The Start, With Rider in Foreground Mounting on Off-Side + Add to album Netting Deer in Richmond Park + Add to album "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..." (1729) + Add to album "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..." (1729) + Add to album The Scholar Placed in His Seat Without Styrrops (1729) + Add to album Coursing: Setting Out (1794) + Add to album Coursing: The Kill (1794) + Add to album Going out of Kennel + Add to album The Check + Add to album Going to Cover + Add to album Full Cry + Add to album The Death + Add to album Going Home + Add to album Return From the Chase, After a Fall + Add to album Lady Louisa Duncombe on Horseback (ca. 1824) + Add to album Scraps, no. 22: Hunting, Unkennelling with Two Riders Watching + Add to album Scraps, no 17: Racing, Three Horses with Jockeys Up Galloping to Right + Add to album Landscape Scenery, No. 7: Scenes of Cricket and a Waggoner With His Team (1821) + Add to album Landscape Scenery, No. 18: Scenes of Horse Drawn Artillery, etc. (1821) + Add to album Scraps, No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse (1823) + Add to album Landscape Scenery, No. 13: Groups of Infantry and Army Horses (1821) + Add to album Scraps, No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds + Add to album Scraps, No. 27: Two Dismounted Riders Drinking at an Alehouse Door (1823) + Add to album Scraps, No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds (1823) + Add to album Scraps, No. 39: Mounted Hussars (1823) + Add to album Scraps, No. 8: Scenes of a Lancer and Other Cavalry (1823) + Add to album Sporting Notions: 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again' (between 1831 and 1832) + Add to album Sporting Notions: 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" ' (between 1831 and 1832) + Add to album Sporting Notions: 'I Had No Notion of the Comforts of Hunting by Water' (between 1831 and 1832) + Add to album Sporting Notions: 'I Have a Notion That I Don't Look Unlike Mazeppa' (between 1831 and 1832) + Add to album Sporting Notions: 'My Good Fellows Have You any Notion Where You Can Get a Saw' (between 1831 and 1832) + Add to album Sporting Notions: 'It's My Notion That This is the Only Way to Get Her Along' (between 1831 and 1832) + Add to album Sporting Notions: 'I Have a Notion This Bridge Will A-Bridge My Sport' (between 1831 and 1832) + Add to album Sporting Notions: 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me' (between 1831 and 1832) + Add to album Sporting Notions: 'This Gives Me a Notion it's Better to "Look Before You Leap" ' (between 1831 and 1832) + Add to album Sporting Notions: 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound' (between 1831 and 1832) + Add to album Sporting Notions: 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before' (between 1831 and 1832) + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts' + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead' + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead' + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..' + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select' + Add to album Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed' + Add to album Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" ' + Add to album Doing the Thing: and the Thing Done: Morning. Turning Out in Prime Twig. Doing the Least you Can (1818) + Add to album Doing the Thing: and the Thing Done: Doing the Thing Well - [giving Dribblers the go bye] (1818) + Add to album Doing the Thing: and the Thing Done: Doing it Somehow (1818) + Add to album Doing the Thing: and the Thing Done: Doing it No How (1818) + Add to album Doing the Thing: and the Thing Done: Doing the Down Leap (1818) + Add to album Doing the Thing: and the Thing Done: The Down Leap Done (1818) + Add to album Doing the Thing: and the Thing Done: Afternoon. Returning Home in Fine Trim. Doing the Most you Can (1818) + Add to album Sporting Discoveries, or the Miseries of Driving:...You Discover You Have Obtained a Steady One + Add to album Sporting Discoveries, or the Miseries of Driving: ...You Discover a New Way of Bringing Your Equipage into a Small Compass + Add to album Some Do and Some Don't: It is All a Notion: Getting into a Difficulty (between 1848 and 1851) + Add to album 1234Next Last Evening (1799) image credit Yale Center for British Art | Public Domain, Yale Center for British Art John Gilpin Then Stopp'd at His Own Door image credit Yale Center for British Art | Public Domain, Yale Center for British Art Hunting: The Meet image credit Yale Center for British Art | Public Domain, Yale Center for British Art Hunt Followers...Moving with the Hounds to the Left image credit Yale Center for British Art | Public Domain, Yale Center for British Art Hunt Followers and Hounds Moving to Right Through Undergrowth image credit Yale Center for British Art | Public Domain, Yale Center for British Art Hounds Followed by Three Riders image credit Yale Center for British Art | Public Domain, Yale Center for British Art Foxhunting: The Start, With Rider in Foreground Mounting on Off-Side image credit Yale Center for British Art | Public Domain, Yale Center for British Art Netting Deer in Richmond Park image credit Yale Center for British Art | Public Domain, Yale Center for British Art "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..." (1729) image credit Yale Center for British Art | Public Domain, Yale Center for British Art "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..." (1729) image credit Yale Center for British Art | Public Domain, Yale Center for British Art The Scholar Placed in His Seat Without Styrrops (1729) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Coursing: Setting Out (1794) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Coursing: The Kill (1794) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Going out of Kennel image credit Yale Center for British Art | Public Domain, Yale Center for British Art The Check image credit Yale Center for British Art | Public Domain, Yale Center for British Art Going to Cover image credit Yale Center for British Art | Public Domain, Yale Center for British Art Full Cry image credit Yale Center for British Art | Public Domain, Yale Center for British Art The Death image credit Yale Center for British Art | Public Domain, Yale Center for British Art Going Home image credit Yale Center for British Art | Public Domain, Yale Center for British Art Return From the Chase, After a Fall image credit Yale Center for British Art | Public Domain, Yale Center for British Art Lady Louisa Duncombe on Horseback (ca. 1824) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Scraps, no. 22: Hunting, Unkennelling with Two Riders Watching image credit Yale Center for British Art | Public Domain, Yale Center for British Art Scraps, no 17: Racing, Three Horses with Jockeys Up Galloping to Right image credit Yale Center for British Art | Public Domain, Yale Center for British Art Landscape Scenery, No. 7: Scenes of Cricket and a Waggoner With His Team (1821) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Landscape Scenery, No. 18: Scenes of Horse Drawn Artillery, etc. (1821) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Scraps, No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse (1823) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Landscape Scenery, No. 13: Groups of Infantry and Army Horses (1821) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Scraps, No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds image credit Yale Center for British Art | Public Domain, Yale Center for British Art Scraps, No. 27: Two Dismounted Riders Drinking at an Alehouse Door (1823) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Scraps, No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds (1823) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Scraps, No. 39: Mounted Hussars (1823) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Scraps, No. 8: Scenes of a Lancer and Other Cavalry (1823) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" ' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Had No Notion of the Comforts of Hunting by Water' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion That I Don't Look Unlike Mazeppa' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'My Good Fellows Have You any Notion Where You Can Get a Saw' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'It's My Notion That This is the Only Way to Get Her Along' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion This Bridge Will A-Bridge My Sport' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'This Gives Me a Notion it's Better to "Look Before You Leap" ' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" ' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Morning. Turning Out in Prime Twig. Doing the Least you Can (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Doing the Thing Well - [giving Dribblers the go bye] (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Doing it Somehow (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Doing it No How (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Doing the Down Leap (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: The Down Leap Done (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Afternoon. Returning Home in Fine Trim. Doing the Most you Can (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Discoveries, or the Miseries of Driving:...You Discover You Have Obtained a Steady One image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Discoveries, or the Miseries of Driving: ...You Discover a New Way of Bringing Your Equipage into a Small Compass image credit Yale Center for British Art | Public Domain, Yale Center for British Art Some Do and Some Don't: It is All a Notion: Getting into a Difficulty (between 1848 and 1851) image credit Yale Center for British Art | Public Domain, Yale Center for British Art