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(3) Abraham Daniel (2) Adelaide Claxton (2) Alexander Monro (2) Francis Barlow (2) Francis Hayman (2) George Heriot (2) George Shepheard (2) Gravelot (2) Henry Edridge (2) Henry Monro (2) Isaac Shaw (2) Jacob More (2) James Duffield Harding (2) James Findlay (2) James Green (2) James Hook (2) Johann Conrad Gessner (2) John Augustus Atkinson (2) John Collet (2) John Crome (2) John Downman (2) John Ferneley (2) John Flaxman (2) John Hamilton Mortimer (2) John Henderson (2) John Jackson (2) John James Barralet (2) Joseph Crawhall (2) Nathaniel Dance-Holland (2) Philippe Jacques de Loutherbourg (2) Richard Corbould (2) Robert Adam (2) Robert Cruikshank (2) Samuel Palmer (2) Thomas Allom (2) Thomas Heaphy (2) Thomas Malton, the younger (2) Thomas Sewell Robins (2) Thomas Stothard (2) Unknown Artist (19th C.) (2) William Anderson (2) William Day (2) William Hamilton (2) William James Müller (2) William Pars (2) William Payne (2) William Turner (2) William Warren Porter (2) Alfred Priest (1) Alfred William Hunt (1) Allen Edward Everitt (1) Amos Green (1) Andrew Wilson (1) Anthony Thomas Devis (1) Arthur James Stark (1) Bernard Lens III (1) Canaletto (1) Charles Barry, the elder (1) Charles Claude Pyne (1) Charles Gore (1) Charles Reginald Aston (1) Charles Turner (1) Charles Vincent Barber (1) Charles Willson Peale (1) Daniel Maclise (1) Daniel Orme (1) David Allan (1) David Charles Read (1) Edward Burne-Jones (1) Edwin Landseer (1) Felicità Hoffmann (1) Francis Place (1) François-Thomas-Louis Francia (1) Frederick Catherwood (1) Frederick Tayler (1) Frederick William Hulme (1) Gainsborough Dupont (1) George Augustus Sala (1) George B. Campion (1) George Belton Moore (1) George Chambers, the elder (1) George Cruikshank (1) George Cuitt, the elder (1) George Garrard (1) George Hayter (1) George Howland Beaumont (1) George Jones (1) George Lambert (1) George Walker (1) Gilbert Stuart Newton (1) Giles Firman Phillips (1) Heneage Finch, Fourth Earl of Aylesford (1) Henry Pelham (1) Henry William Bunbury (1) Horace Hone (1) Horace Jones (1) Hubert von Herkomer (1) J. Tobin (1) James Barenger (1) James Gillray (1) James Hakewill (1) James Havard Thomas (1) James Holland (1) James Holworthy (1) James Malton (1) James Moore (1) James Scouler (1) James Smetham (1) James Sowerby (1) James Ward (1) James Wilcox (1) Johann Heinrich Müntz (1) John Absolon (1) John Baverstock Knight (1) John Bogle (1) John Brown (1) John Burney Ladbrooke (1) John Fulleylove (1) John Greenwood (1) John Hoppner (1) John Inigo Richards (1) John James Chalon (1) John Peace (1) John Ruskin (1) John Scarlett Davis (1) John Slezar (1) John Taylor (1) John Thomas Serres (1) Joseph Noel Paton (1) Joseph Powell (1) Joseph Sparkhall Rundle (1) Justinian Gantz (1) Louis Ducros (1) Marcellus Laroon, the younger (1) Mary Mitford (1) Master of the Wire Line (1) Matthew Haughton (1) Micheal Angelo Hayes (1) Michel Vincent Brandoin (1) Moses Haughton, Jr. (1) Myles Birket Foster (1) Nicholas Condy (1) Ozias Humphry (1) Peter Paillou, the younger (1) Pierre Etienne Falconet (1) Pieter Casteels III (1) Queen Charlotte Consort of Frederick I (1) Richard Colt Hoare (1) Richard Cosway (1) Richard Crosse (1) Richard Gibson (1) Robert Frankland-Russell (1) Robert Smirke, the younger (1) Samuel Collings (1) Samuel Daniell (1) Samuel Drummond (1) Samuel Finney (1) Samuel Jackson (1) Thomas Barker (1) Thomas Bradshaw (1) Thomas Danby (1) Thomas Forster (1) Thomas Gisborne (1) Thomas Hand (1) Thomas Hargreaves (1) Thomas Hartley Cromek (1) Thomas J. Rawlins (1) Thomas Langdon (1) Thomas Miles Richardson I (1) Thomas Sandby (1) Thomas Sunderland (1) Thomas Weaver (1) Unknown Artist (English School) (1) Unknown Artist (German School) (1) Unknown Artist (Indian School) (1) W. Gore (1) W. Hake (1) Walter Paris (1) Wenceslaus Hollar (1) Willey Reveley (1) William Beechey (1) William Beilby (1) William Bradford (1) William Callow (1) William Evans, of Eton (1) William Frome Smallwood (1) William Green (1) William Heath (1) William Henry Harriott (1) William Hogarth (1) William Marshall Craig (1) William Mulready (1) William Page (1) William Powell Frith (1) Collection Collection... Yale Center for British Art (1270) Country Country... 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People & Society (698) Buildings & Architecture (221) Landscapes & Seascapes (210) Travel & Transport (65) Industries & Professions (57) Flora & Fauna (19) Tag: Men Date Date... 1600-1699 (23) 1700s (33) 1710s (52) 1720s (54) 1730s (60) 1740s (103) 1750s (148) 1760s (200) 1770s (335) 1780s (424) 1790s (531) 1800s (578) 1810s (551) 1820s (498) 1830s (353) 1840s (307) 1850s (245) 1860s (106) 1870s (75) 1880s (51) 1890s (40) 1900s (14) 1910s (2) Men 1270 matching results. You may want to refine your search. See slideshow Sort orderRelevanceOldest additions firstNewest additions firstOldest painted firstNewest painted first See results on a map View map Sporting Notions: 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again' (between 1831 and 1832) + Add to album Sporting Notions: 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" ' (between 1831 and 1832) + Add to album Sporting Notions: 'I Had No Notion of the Comforts of Hunting by Water' (between 1831 and 1832) + Add to album Sporting Notions: 'I Have a Notion That I Don't Look Unlike Mazeppa' (between 1831 and 1832) + Add to album Sporting Notions: 'My Good Fellows Have You any Notion Where You Can Get a Saw' (between 1831 and 1832) + Add to album Sporting Notions: 'It's My Notion That This is the Only Way to Get Her Along' (between 1831 and 1832) + Add to album Sporting Notions: 'I Have a Notion This Bridge Will A-Bridge My Sport' (between 1831 and 1832) + Add to album Sporting Notions: 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself' (between 1831 and 1832) + Add to album Sporting Notions: 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me' (between 1831 and 1832) + Add to album Sporting Notions: 'This Gives Me a Notion it's Better to "Look Before You Leap" ' (between 1831 and 1832) + Add to album Sporting Notions: 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound' (between 1831 and 1832) + Add to album Sporting Notions: 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before' (between 1831 and 1832) + Add to album An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn' (1842) + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts' + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead' + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead' + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..' + Add to album Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select' + Add to album Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman' + Add to album Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed' + Add to album Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass' + Add to album Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" ' + Add to album Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it" + Add to album Doing the Thing: and the Thing Done: Morning. Turning Out in Prime Twig. Doing the Least you Can (1818) + Add to album Doing the Thing: and the Thing Done: Doing the Thing Well - [giving Dribblers the go bye] (1818) + Add to album Doing the Thing: and the Thing Done: Doing it Somehow (1818) + Add to album Doing the Thing: and the Thing Done: Doing it No How (1818) + Add to album Doing the Thing: and the Thing Done: Doing the Down Leap (1818) + Add to album Doing the Thing: and the Thing Done: The Down Leap Done (1818) + Add to album Doing the Thing: and the Thing Done: Afternoon. Returning Home in Fine Trim. Doing the Most you Can (1818) + Add to album Sporting Discoveries, or the Miseries of Driving:...You Discover You Have Obtained a Steady One + Add to album Sporting Discoveries, or the Miseries of Driving... You Discover that the Reins are Under His Tail + Add to album Sporting Discoveries, or the Miseries of Driving ... You Discover you Have Overlooked a Small Post on you Whip Hand + Add to album Sporting Discoveries, or the Miseries of Driving: ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards + Add to album Sporting Discoveries, or the Miseries of Driving: ...You Discover a New Way of Bringing Your Equipage into a Small Compass + Add to album Sporting Discoveries, or the Miseries of Driving: ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition + Add to album Some Do and Some Don't: It is All a Notion: Getting into a Difficulty (between 1848 and 1851) + Add to album Some Do and Some Don't: It is All a Notion: Getting Over a Difficulty (between 1848 and 1851) + Add to album Some Do and Some Don't: It is All a Notion: Getting a Fall (between 1848 and 1851) + Add to album Some Do and Some Don't: It is All a Notion: Getting a Dive (between 1848 and 1851) + Add to album Some Do and Some Don't: It is All a Notion: Getting into a Bog (between 1848 and 1851) + Add to album Some Do and Some Don't: It is All a Notion: Getting Dead Beat (between 1848 and 1851) + Add to album Some Do and Some Don't: It is All a Notion: Getting Home (between 1820 and 1821) + Add to album Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road (between 1809 and 1823) + Add to album Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could (between 1809 and 1823) + Add to album Two Riders Exercising Horses at a Gallop + Add to album Two Riders and a Couple of Hounds Clearing a Wall (1845) + Add to album A Whipper-In and a Couple of Hounds Running Hard in Open Country + Add to album A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain" (1821) + Add to album A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain" (1821) + Add to album Wild Duck Shooting + Add to album Two Riders Taking a Double Fence + Add to album "Sporting Anecdotes:" Sketch for 'The Sporting Butcher' + Add to album "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher' + Add to album "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting' + Add to album The Ice-Wagon + Add to album Drawing Covert + Add to album Full Cry + Add to album Gone Away + Add to album The Death + Add to album First Prev12345Next Last Sporting Notions: 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" ' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Had No Notion of the Comforts of Hunting by Water' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion That I Don't Look Unlike Mazeppa' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'My Good Fellows Have You any Notion Where You Can Get a Saw' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'It's My Notion That This is the Only Way to Get Her Along' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion This Bridge Will A-Bridge My Sport' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'This Gives Me a Notion it's Better to "Look Before You Leap" ' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Notions: 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before' (between 1831 and 1832) image credit Yale Center for British Art | Public Domain, Yale Center for British Art An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn' (1842) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" ' image credit Yale Center for British Art | Public Domain, Yale Center for British Art Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it" image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Morning. Turning Out in Prime Twig. Doing the Least you Can (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Doing the Thing Well - [giving Dribblers the go bye] (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Doing it Somehow (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Doing it No How (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Doing the Down Leap (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: The Down Leap Done (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Doing the Thing: and the Thing Done: Afternoon. Returning Home in Fine Trim. Doing the Most you Can (1818) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Discoveries, or the Miseries of Driving:...You Discover You Have Obtained a Steady One image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Discoveries, or the Miseries of Driving... You Discover that the Reins are Under His Tail image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Discoveries, or the Miseries of Driving ... You Discover you Have Overlooked a Small Post on you Whip Hand image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Discoveries, or the Miseries of Driving: ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Discoveries, or the Miseries of Driving: ...You Discover a New Way of Bringing Your Equipage into a Small Compass image credit Yale Center for British Art | Public Domain, Yale Center for British Art Sporting Discoveries, or the Miseries of Driving: ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition image credit Yale Center for British Art | Public Domain, Yale Center for British Art Some Do and Some Don't: It is All a Notion: Getting into a Difficulty (between 1848 and 1851) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Some Do and Some Don't: It is All a Notion: Getting Over a Difficulty (between 1848 and 1851) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Some Do and Some Don't: It is All a Notion: Getting a Fall (between 1848 and 1851) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Some Do and Some Don't: It is All a Notion: Getting a Dive (between 1848 and 1851) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Some Do and Some Don't: It is All a Notion: Getting into a Bog (between 1848 and 1851) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Some Do and Some Don't: It is All a Notion: Getting Dead Beat (between 1848 and 1851) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Some Do and Some Don't: It is All a Notion: Getting Home (between 1820 and 1821) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road (between 1809 and 1823) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could (between 1809 and 1823) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Two Riders Exercising Horses at a Gallop image credit Yale Center for British Art | Public Domain, Yale Center for British Art Two Riders and a Couple of Hounds Clearing a Wall (1845) image credit Yale Center for British Art | Public Domain, Yale Center for British Art A Whipper-In and a Couple of Hounds Running Hard in Open Country image credit Yale Center for British Art | Public Domain, Yale Center for British Art A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain" (1821) image credit Yale Center for British Art | Public Domain, Yale Center for British Art A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain" (1821) image credit Yale Center for British Art | Public Domain, Yale Center for British Art Wild Duck Shooting image credit Yale Center for British Art | Public Domain, Yale Center for British Art Two Riders Taking a Double Fence image credit Yale Center for British Art | Public Domain, Yale Center for British Art "Sporting Anecdotes:" Sketch for 'The Sporting Butcher' image credit Yale Center for British Art | Public Domain, Yale Center for British Art "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher' image credit Yale Center for British Art | Public Domain, Yale Center for British Art "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting' image credit Yale Center for British Art | Public Domain, Yale Center for British Art The Ice-Wagon image credit Yale Center for British Art | Public Domain, Yale Center for British Art Drawing Covert image credit Yale Center for British Art | Public Domain, Yale Center for British Art Full Cry image credit Yale Center for British Art | Public Domain, Yale Center for British Art Gone Away image credit Yale Center for British Art | Public Domain, Yale Center for British Art The Death image credit Yale Center for British Art | Public Domain, Yale Center for British Art